Global World Films

Netflix’s Thriller ‘Fool Me Once’ Emerges as January’s Top-Streamed Title

Global World Films / worldfreedomfighter

Feb 20, 2024,08:00am EST In January, an eight-part Netflix thriller titled “Fool Me Once” secured the coveted title of the most-watched streaming program in the United States, according to Nielsen data. This marks the first instance in seven months that an original series has clinched the top spot, coinciding with a surge in streaming activity […]

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‘Barbie’ Overlooked at BAFTAs as ‘Oppenheimer’ and ‘Poor Things’ Secure Major Wins

Global World Films / Global World Citizen

Feb 18, 2024,04:09pm EST TOPLINE: “Oppenheimer” dominated the BAFTA Film Awards on Sunday, securing wins for Best Film, Best Director for Christopher Nolan, and Best Actor for Cillian Murphy, while Emma Stone triumphed for “Poor Things.” Meanwhile, “Barbie,” “Maestro,” and “Killers of the Flower Moon” faced disappointment just weeks ahead of the Oscars in Los

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How Paramount’s Story Became a Lesson in the Streaming Wars

Global World Films / Global World Citizen

February 16, 2024 at 11:00 AM GMT Sumner Redstone was an avid acquirer, not a seller. Beginning in the mid-1980s, he transformed his family’s movie theater chain into one of the world’s most valuable media conglomerates, Viacom, through a series of high-profile acquisitions. He skillfully outmaneuvered competitors to procure a legendary broadcast network (CBS), an

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Navigating the Boundaries: Hollywood’s Exploration of Gen AI and Its Ethical Use

Global World Films / Global World Citizen

Navigating the Future: How Writers and Studios Can Utilize AI in Script Development Post-WGA Agreement The WGA’s landmark agreement with the AMPTP in October 2023 marked a significant win for union writers, establishing restrictions on the use of generative AI in creating literary or source material. This safeguard prevents writers from losing compensation or credits

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“Killers of the Flower Moon” Box Office: Martin Scorsese’s $200 Million Epic – Hit or Flop?

Global World Films / Global World Citizen

“Killers of the Flower Moon” Box Office: Apple’s $200 Million Gamble and the Streaming Metrics Dilemma Apple’s inaugural major theatrical release, “Killers of the Flower Moon,” has raked in $120 million globally over three weekends. Evaluating the success of this venture has proven challenging, prompting varied perspectives within the industry. For a streaming service-backed movie,

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Apple’s ‘Argylle’ Marks the Initial Film Setback of 2024 with Box Office Disappointment and Critical Lapses

Global World Films / Global World Citizen

HEADLINE The spy comedy “Argylle” claimed the No. 1 spot at the box office during its opening weekend, but its earnings fell short at $18 million across 3,605 theaters, as per Box Office Mojo. Despite Apple’s reported investment of over $200 million in this theatrical release, the film faced global challenges, garnering $17.3 million outside

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Dick Wolf’s Aspiration: Creating TV Blockbusters Into His 100s

Global World Films / Global World Citizen

In Hollywood, few are as committed to the traditional broadcast TV schedule as Dick Wolf. In a typical year, he produces enough episodes of his renowned franchises like Law & Order, Chicago, and FBI to fill three primetime nights. However, 2023 proved to be no ordinary year due to strikes by the writers’ and

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Goosebumps Review – Disney Delivers a Blast, Proving the Books Were Truly Thrilling

Global World Films / worldfreedomfighter

On the Disney+ streaming platform, there’s a reputation that’s been likened to the foie gras of streaming services. Not because it’s particularly refined, but because it seems to enjoy overwhelming us with content. It’s what happened with Star Wars, taking a beloved trilogy from 45 years ago and expanding the franchise beyond comprehension. Marvel, too,

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The Villains of ‘Killers of the Flower Moon’ Conceal Themselves in Plain Sight Donning John Wayne’s Suits

Global World Films / worldfreedomfighter

“Killers of the Flower Moon” represents Martin Scorsese’s closest venture into the Western genre, albeit set in 1920s Oklahoma, where the final frontier for contention is oil wealth. The characters, portrayed by Leonard DiCaprio (Ernest Burkhart) and Robert De Niro (William “King” Hale), are far from traditional heroes. In fact, they are part of a

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Box Office: ‘Five Nights at Freddy’s’ Aims for Scary-Good $50 Million Debut

Global World Films / worldfreedomfighter

Universal and Blumhouse’s horror film “Five Nights at Freddy’s,” based on the popular video game, is poised to have a strong debut at the box office. Industry experts anticipate the film to gross at least $50 million during its opening weekend, although some analysts believe it could exceed this projection. What makes this forecast even

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Netflix’s Thriller ‘Fool Me Once’ Emerges as January’s Top-Streamed Title

‘Barbie’ Overlooked at BAFTAs as ‘Oppenheimer’ and ‘Poor Things’ Secure Major Wins

How Paramount’s Story Became a Lesson in the Streaming Wars

Navigating the Boundaries: Hollywood’s Exploration of Gen AI and Its Ethical Use

“Killers of the Flower Moon” Box Office: Martin Scorsese’s $200 Million Epic – Hit or Flop?

Apple’s ‘Argylle’ Marks the Initial Film Setback of 2024 with Box Office Disappointment and Critical Lapses

Dick Wolf’s Aspiration: Creating TV Blockbusters Into His 100s

Goosebumps Review – Disney Delivers a Blast, Proving the Books Were Truly Thrilling

The Villains of ‘Killers of the Flower Moon’ Conceal Themselves in Plain Sight Donning John Wayne’s Suits

Box Office: ‘Five Nights at Freddy’s’ Aims for Scary-Good $50 Million Debut

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